《Johnny's Jr.的真实》是首个贴身采访杰尼斯事务所明星候补生“Johnny's Jr.”的纪实性节目。Johnny's Jr.是SMAP、岚等现在正在演艺圈活动的杰尼斯明星前辈们的必经之路。为了成为顶尖偶像，Jr.们每日必须经历各种各样的训练。从8月开始的约2个月时间里，日本电视台摄影机镜头潜入Jr.彩排场地和演唱会后台等地方，真实记录Jr.们成为明星的成长历程。

暂无剧情简介

A complete broadcast of the Johnny's Entertainment idol sports senbatsu, held at the Tokyo Dome on March 18, 2012 for an audience of 45,000 fans! Over 90 participants from Hey! Sɑy! JUMP, Kis-My-Ft2, Sexy Zone, A.B.C-Z, & Tokyo & Kansai Juniors divide into "J-RED" & "J-WHITE", engaging in a fierce, high-level performance! The tournament went beyond the tradition's classic baseball, & also ranged in soccer, marathon & relay races. Each member's passion & determination shown on their faces as they compete in this must-see event.

艺伎，字面上的含意为"以艺术为生"。每个艺伎都要经过严格的训练，学习茶道、书法、乐器、舞蹈、礼节等等。男人们用餐时，她们跪在旁边斟酒上菜，微笑着和他们聊天。待到酒过三旬后，艺伎开始表演以活跃气氛，不论是弹奏乐器或是演唱情歌。最令人称赞的是艺伎的谈话艺术，无论是国际新闻，还是花边消息，她们都了若指掌。 但是艺伎这一古老的文化行业，是否能够在现今充满竞争、科技日新月异的现代日本社会保存下来？十九世纪20年代是艺伎行业的全盛期，有将近80,000名的艺伎，而今却剩下不到1,000名。 艺伎的世界始终保持着一种神秘感。她们浓妆的脸上几乎看不出喜怒哀乐，她们是日本文化与艺术的缩影，这也是她们为之骄傲的。艺伎一生就是为了服侍日本上流社会中的达官显贵、富商阔佬，人们只能在那些豪华的茶店酒楼和隐密的日本料亭中看到她们的身影。所以基于上述的种种原因，艺伎一直被笼罩在一层神秘的面纱之下…… Dismissed by Western society as little more than high-priced call girls, the Japanese women known as Geisha are part of a centuries-old tradition that made them a vital part of that country's society. See how they were trained from childhood in music, the arts, conversation and "massaging the male ego," and visit with modern-day Geisha, in this revealing program.

讲述马泰尔饰演的男孩Paul跟父亲住在纽约乡下，过着与世隔绝的生活，因为患有稀有的天生多毛症，身上很多地方会长出长长的毛发，Paul很难交到朋友。而13岁生日那天，他收到一份神秘礼物，因此逃出了家门，想去寻找自己从不知道是谁的母亲。

2006 年，福岛知事佐藤荣佐久因“受贿贪污案”被迫离职，然而真相并非媒体所报道的那样。佐藤荣佐久曾多次公然反对政府提案，还对福岛核电站的安全性提出过质疑，被很多人称作“政治斗士”。但最终他却以“莫须有”的罪名下台，著名记者田原总一朗、演员西田敏行等人联合起来，一同揭露了这场由政府和媒体合力制造的“骗局”。

This iconic, Emmy-nominated series is a Tinseltown institution in its own right for its compelling stories from the world of entertainment

陈龙身为陈家弃少，被福利院张院长救助。后来陈家老夫人病重，管家来请他回去主持大局，陈龙为了妻子许小晴和福利院答应了。他入职天云集团帮许小晴应对许家人刁难，可许家人仍不认可，还想让许小晴改嫁。直到住进腾龙湾，许家亲戚认可了他。陈龙为免麻烦向妻子隐瞒身份，二人就此过上幸福安稳的日子。

Roza (Lucyna Winnicka) marries a promising young architect, Juliusz (Roland Glowacki); for a few months, they have a blissful life together. Then World War II breaks out and within weeks Juliusz is deported to a concentration camp. Months, and then years go by, until Roza abandons any hope that her husband might return. She meets and falls in love with another man, and tries to put her life back together, but one day, unexpectedly, Juliusz does return - a shattered, mere ghost of his former self, physically crippled and tormented by memories of the camps. First out of duty, then out of pity, Roza starts to care for him, but her feelings slowly are transformed into a kind of revulsion. Kawalerowicz here takes up a theme that would be frequently addressed by later Polish films: the lingering psychological and emotional scars wrought by the war, a kind of weight from the past impeding the creation of any kind of future.